1.        Myths – (Barthes, R., & Lavers, A. (2000). Mythologies. Vintage.),  Mythical Objects (1997), IIT Delhi, Food Objects 

2.        Gift – (Mauss, M. (2016). The gift: expanded edition (J. I. Guyer, Tran.; Expanded edition.). HAU Books.), Prestation (1997), IIT Delhi, Major Project/ Honours Project (Makrand) 

3.        Patient M – (Dittrich, L. (2016). Patient H.M.: a story of memory, madness, and family secrets (First edition.). Random House.), Single Subject, (1997), IIT Delhi, Major Project/ Honours Project (Vineet, Parag) 

4.        Story Telling – (Falconi, E., & Graber, K. E. (Eds.). (2019). Storytelling as narrative practice: ethnographic approaches to the tales we tell. BRILL.) Bezalel Academy of Art, December 1999, Studio 

5.        Anxious Objects – (Rosenburg, H. (1973). The anxious object: art today and its audience. Collier Books.), Les Ateliers, Paris, 2000. 

6.        Gestures –( Ferrucci, F., Santarelli, M., Bella, M., & Maddalena, G. (2024). Part IV: Gestures in Anthropology, Aesthetics, and Arts. In Gestures. Walter de Gruyter GmbH.), Explosive, 

7.        Whimsy, (Irvin, S. (2024). Artistic creativity and whimsy: a reply to Costello. The Journal of Aesthetics and Art Criticism, 82(4), 449–455. https://doi.org/10.1093/jaac/kpae045) Monika Mulder, 2021 

8.        Shadow Work (Tower, R., & Perry, C. (2023). Jung’s Shadow Concept: The Hidden Light and Darkness within Ourselves (1st ed.). Taylor & Francis. https://doi.org/10.4324/9781003255819) 

9.        Bads (TSO), (Thompson, M. (2017). Rubbish theory: the creation and destruction of value (New edition.). Pluto Press.) 

10.  Taste (Bourdieu, P. (2010). Distinction a social critique of the judgement of taste. Routledge.) (Pasi Falk), How People Live, IIT, 2000 

11.  Tactile – (Classen, C. (2012). Tactile Arts. In The Deepest Sense (pp. 123-). University of Illinois Press. https://doi.org/10.5406/illinois/9780252034930.003.0006) 

12.  Touch – (Classen, C. (2012). The Deepest Sense: A Cultural History of Touch (1st ed., pp. xvii–xvii). University of Illinois Press.) 

13.  Grasp – (Hewitt, A. (2005). Social choreography: ideology as performance in dance and everyday movement. Duke University Press. https://doi.org/10.1515/9780822386582), Introduction to Design, IIT Delhi, 1994-2003 

14.  Rub – (Lewis, R. D. (2005). When Cultures Collide: Leading Across Cultures (3. ed., a major new ed. of the global guide). Nicholas Brealey Publishing.), Capstone? Leadership, IIT 

15.  Aesthetics – Japanese – (Marra, M. F. (1999). Modern Japanese aesthetics: a reader (1st ed.). University of Hawaii Press. https://doi.org/10.1515/9780824863678) 

16.  Aesthetics – Indian – (A Rasa Reader: Classical Indian Aesthetics. By Sheldon Pollock. New York: Columbia University Press, 2016) 

17.    Heuristics – 1986 (Jones, J. C. (1998). Chance processes: An anthology of chance operations for the exploration of alternative types of order. Chisenhale Press.) (C&PS), SPA 

18.  Intuition Pump – (Dennett, D. C. (2013). Intuition pumps and other tools for thinking. W. W. Norton & Company.), Studio – Us@, Sustainability Studio, 2020, RMIT University 

19.  Embodiement – (Falk, P. (1994). The consuming body (1st ed.). Sage Publications.) (The Body Multiple), Studio - My body is a project (2022) RMIT, 

20.  Direct Action, (Van den Berg, K., Jordan, C. M., & Kleinmichel, P. (Eds.). (2019). The art of direct action: social sculpture and beyond. Sternberg Press.) (Alexander, C., Ishikawa, S., & Silverstein, M. (1977). A pattern language: Towns, buildings, construction. Oxford University Press.), CRP, ACRP, 1998-2003, IIT Delhi